REVIEWS

MY PSYCHIC RECOLLECTIONS.  By MARY DAVIES.  2"s." 6"d." net.  Nveleigh
      Nash, 36 King Street, Covent Garden, W.C.
   JUST when I had given up hope, Mary Davies comes to make a third to myself and Geo. Washington.
   For on p. 2 she says, "More than forty years ago ... I was a girl of seven years old."
   This storms the citadel of confidence, and pulls out the back teeth of the Dragon Doubt.  I was therefore prepared to believe anything she might say.
   And accordingly we get a simple, charming, old-fashioned motherly book, full of kindly thought and real piety; that it may have no objective value for the S.P.R. is quite unimportant for the class of readers whom it is intended to reach.
   Mrs. Davies is a "professional medium"; of such I have said things which only my incapacity for invective prevented from being severe.  But though (no doubt) the phenomena recorded in this book are 'non-evidential,' I do feel the sincerity of the writer.  I am confident of her good faith.
                                                        DIOGENES.

TABLOID TALES.  By LOUISE HEILGERS.  1"s."
   TO quote the preface of Horatio Bottomley, "Louise Heilgers is the only female writer of short stories of the present day."
   She is in truth one of the ten million, her heart is their heart, her mind their mind, and consequently her thoughts their thoughts.  She will soon be acclaimed as a popular author.
   It is refreshing indeed to find somebody writing direct from the heart without in any way striving after originality.
   Excepting as to their length, these stories do not in any manner resemble those of Baudelaire.                                  BUNCO.

THE CITY OF LIGHT.  By W.L.GEORGE.  Constable. 6"s."
   A VERY adequate and even thorough study of French bourgeois life as it really is.  As a picture, it is better than anything Zola ever did, though (for the {253} same reason) it lacks just that which Zola always gives --- a sense of tragedy.  Probably Mr. George will say (with a maiden blush) that his novel is none the worse for that; he would deny the truth of the poet's vision --- insist that the cosmos is but incoherency of heterogeneous incident.
   I may, however, urge with more hope of his attention that his novel breaks off at the really interesting part.  What did Suzette say?  Did the family tyranny make a man of Henri?  Were they married, and, if so, what came of it?  I wait patiently on Mr. George; may he incline unto me and hear my cry!
                                                       A.C.


ONE OF US.  By GILBERT FRANKAU.  3"s." 6"d."
   ADMIRABLE, this Odyssey of emasculation.  The verse is at all times facile and clever beyond all praise, though there are three or four faulty rhymes, and I cannot pass (twice) "pleeceman" and "pleece," unless they are so spelt.
   The story is very typical and very tragic.  An idle youth without enough guts even to go wrong.  When, after infinite struggle, he gets into debt, an aunt conveniently dies and leaves him everything.  After innumerable mild philanderings, not one of which brings him even within whistling distance of the "methode du Dr. Fernandez," he returns to the lady whose acres adjoin his own; and Mr. Frankau, with consummate art, leaves us uncertain whether he will even summon up the energy to marry her.
   Smart, shallow, shoddy society in every clime is pictured admirably well; this book will be a classic, in a hundred years, for its historical interest. But it behoves somebody to write a commentary within the next twelve months, or a good third of the allusions will be for ever unintelligible.
   It is one of the most readable books I have struck for a long while; alas! that so depressing a portrait should be so real.  Anarchy would become the only thinkable political creed if "One of Us" represented more than a negligible and almost outworn fringe of the antimacassar of society.
                                                  ALEISTER CROWLEY.


STRANGER THAN FICTION.  By MARY L. LEWES.  William Rider & Son.
     3"s." 6"d."
   ANY one who likes to read rubbish can get large quantities at a reasonable price by reading this book --- but it is rather amusing rubbish.
                                                  DAVID THOMAS.  {254}


THE PERFECT CEREMONIES OF CRAFT FREEMASONRY, WITH NOTES AND
    APPENDICES BY COLONEL R. H. FORMAN, P.G.M., A.S.F.I.  George
    Kenning & Son.
   WE extend the hand of brotherhood to Colonel Forman.  While regretting to some extent the extreme lengths to which he has gone in making it quite clear to cowans and eavesdroppers exactly what happens in the Raising, and in publishing careful diagrams of the secret steps, etc., the only possible ambiguity, "e.g." in the murder of H.A., being that l---- t---- might stand for left testicle, we think it is better so.  Since English Freemasonry has become soulless formalism, let us at least perform the ceremonies with decorum!
   Your reviewer is personally a staunch Tory, and cannot help preferring the "Emulation" working which long years have endeared to him.
   But never will he consent to the foul hash of the 23rd Psalm (Milton's, I suppose) here still printed.
   Colonel Forman shows a good deal of insight into the true meaning of Masonry, and a real understanding of the symbolism.  He appears a suitable candidate for some more serious order, such as the M ∴ M ∴ M ∴ or even the O.T.O.
                                                         H.K.T.

TENTERHOOKS.  By ADA LEVESON.  6"s."
   MRS. LEVERSON is easily the daintiest and wittiest of our younger feminine writers; but she does well to call her latest masterpiece "Tenterhooks."  Mrs. Leverson offers us a picture of an aged, wrinkled and bedizened Jewess with false hair and teeth, painted and whitewashed with kohl, rouge and chalk until there seems hardly any woman there at all.  Yet not content with addiction to indiscriminate adultery and morphine, she finds pleasure in seducing young men and picking their pockets.
   Fie! you can surely show us a prettier picture than that.  Why not return to your earlier manner?  Not necessarily the manner of "An Idyll in Bloomsbury," but you might advantageously find material in Brixton or Bayswater.
                                                           FELIX.

THE MASTER MASON'S HANDBOOK.  By BRO. FRED. J. W. CROWE, P.M. 328,
     2806; Member Lodge "Quatuor Coronati" 2076, P. Prov. G. Org.,
     Devon, etc., with an Introduction by BRO. W. J. HUGHAN, P.G.D.
     England.  Geo. Kenning & Son.  1"s." 6"d."
   A USEFUL guide in the practical details of Freemasonry.  On the subject of the serious study of the Order, however, Bro. Crowe is rather pathetic.  He refers us to learned Bro. This, and illuminated Bro. That, and instructed Bro. Tother; but orthodox Freemasonry has apparently not yet any adherent who {255} could pass the first standard in a Masonic Board School.  "E.g." on the apron of the 18 Degree the Monogram of the Eternal is misspelt --- blasphemously misspelt.  Any Yid from Houndsditch could correct it.  And on the M.W.S. jewel, Jeheshua is usually spelt with a Resh!

                There was a fair Maid of Bombay
                Who was put in an awkward situation, the nature of which
                    it is unnecessary to discuss,
                  By the mate of a lugger,
                  An ignorant Sovereign Prince of Rose Croix
                Who always spelt Jeheshua with a Resh.

   Prate not of scholarship, Bro. Crowe!
   Such ignorance, when combined with the Satanic Pride to which the possession of an apron with blue silk and silver tassels, value three half-bull! naturally predisposes mankind, leads to presumption, bigotry and intolerance.  So we find Bro. Crowe asserting that all other degrees than his own are "spurious and worthless."  Go slow, Bro. Crowe!
   The intelligence of Freemasons may be guessed by the level at which they rate that of cowans and eavesdroppers.  They print their secret rituals for any one to buy; so far, so good, why shouldn't they?  But they print initials and finals of "missing words" which no single reader of "Pearson's Weekly" could miss.
   "Advance a short step with your l--t f--t," would not have baffled Edgar Allan Poe!
   They are even such b-- f--s --- (will they decipher this! --- it stands for "bright fellows") --- that when by accident they do baffle you ---
   "Gives him the P--e, C--w, and S--," --- they print it full in another place, but in the same connection --- "The Pickaxe, Crow, and Shovel."
   No, Bro. Crowe!  Whoa, Bro. Crowe!  (Blow Bro. Crowe!  Ed.)
   But for all Masons who wish to know the mysteries of how to address a V.W.P. Pres. Brd. G. Pur., and the order of precedence of a Past Assistant Grand Director of Ceremonies, this is the Book.
                                                     K.S.I.

POEMS DRAMATIC AND LYRICAL.  By CLIFFORD BAX.  Daniel.  4"s." 6"d."
   JUST the book of verse we should have expected from C. W. Daniel -- the feeble, fluent, derived expression of a decadent and frail personality.
   Mr. Bax is a pupil of Victor B. Neuburg, so far as form goes; but oh! what a lot he has to learn!
                                               ST. MAURICE E. KULM. {256}


PREHISTORIC PARABLES.  By WILSON BELL.  Milner & Co.  1"s."
   IN "Prehistoric Parables," Mr. Bell, with consummate skill, carries the reader back to the Carboniferous Period.  He does not trouble himself about scientific facts, but he gives most adequate descriptions, often beautiful, of that happy happy age.
   It is a quaint conceit of his to write the parable in prehistoric times, and the moral in the twentieth century.
   I regret that the book is illustrated.  The artist's conceptions are far below those of the author, which has a tendency to deter rather than help the reader.
   There is a slight journalistic touch in the style, but there is much too much in this book to allow it to trouble you.
   Read it, and know Thyself.
                                                E. LE ROUX.

LYRA NIGERIAE: A BOOK OF VERSES ILLUSTRATIVE OF LIFE IN NIGERIA.
     By ADAMU (E. C. ADAMS).  FISHER UNWIN.  3"s." 6"d." net.
   NO sentimental drivel in this little book, but songs sung by a man whose heart beats high and feels the good red blood tingling through his veins --- who loves the scorching sun he curses, and the acrid country which gives him his splendid outlook upon life.
   "In Articulo Mortis" is a volume of philosophy in itself, and should be circulated by the Religious Tract Society to all men, married or unmarried, in West Africa.
   A complain could be made that this book is too reminiscent of Kipling; perhaps it is; but then again, perhaps the author has never read Kipling.
   The following, from "The Leper," is characteristic ---

                "Here through the live-long day I wait,
                             Allah!  Allah!
                 In the shadows flung by the city gate,
                             Allah!  Allah!
                 My fingers have gone and my toes as well,
                 And the leprous spots on my body swell,
                 But Allah Eternal does all things well.
                             Allah!  Allah!  Akbar!"
                                                          BUNCO.

THE BOOK OF THE REVELATIONS OF JIM CROW.  J. & J. BENNETT.  1"s."
   THE best of this book is that it reads well.  I thought a priori ("a") it read very well weekly; in a lump it will bore; ("b") it only read well weekly because of its pornographic or Prudential surroundings.  But, lo! it is most excellent.  {257} St. James the Divine has indeed found a way to tell the truth (about most things) without frightening Respectability too much, though I think he might have spared us a thunderbolt against that feeble writer, Herbert Vivian.
   Sanctus Jacobus Corvus once observed in his treatise on "Mysticism" (blue-pencilled by the common sub-editor), "Crow and Crowley --- what a combination!"  Not a bad one, either.  If only he had stolen the holy water (as I begged him to do) and baptized our mandrakes properly ------ Never mind! I advise all our readers to read his book; and if he does not advise all the readers of "John Bull" to read mine, I shall despair of human nature.
                                                A. QULLER, JR.






                                   EPICURES

             "are invited to taste the Special Dishes invented by
                  ALEISTER CROWLEY.  This can be done at the"

                        CAFE ROYAL, REGENT STREET, W.

               Pavots d'Amour Cro=Cro
               Pilaff de Moules a la Santa Chiara
               Crowley Mixed Grill
               Souffle Aleister Crowley.

                                                   etc., etc.



NOW READY

                           SIR PALAMEDE THE SARACEN

                             By ALEISTER CROWLEY

                          "REPRINTED FROM EQUINOX IV"

                                  PRICE 5/-

   "Much vigorous imagination." --- "Times."
   "...his genius, be its origin celestial or infernal, is considerably to our liking; he can write angelic poetry and devilish good prose, a cloud of exotic scholarship trailing over the whole, and suffused now and then by lightning-like gleams of mirth and snappiness." --- "English Review."
   "The poet's impassioned imagination and fancy move untrammelled throughout this metrical romance." --- "Publishers' Circular."

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                            LITTLE POEMS IN PROSE

                            By CHARLES BAUDELAIRE

                        Translated by ALEISTER CROWLEY


                                  ERCILDOUNE

                         A Novel by ALEISTER CROWLEY

   WEILAND & CO.                                      Telephone: 8987 City.


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GOETIA vel Clavicula

                 SALOMONIS REGIS
                    (The Lesser Key of Solomon the King.)

          The best, simplest, most intelligible and most effective
                              treatise extant on

                               CEREMONIAL MAGIC

Careful and complete instruction; ample illustration; beautiful production.  This book is very much easier both to understand and to operate than the so-called "Greater" Key of Solomon.

                              ------------------

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                                The PHOTOGRAPH
                           OF MISS WADDELL IN THIS
                          MAGAZINE WAS TAKEN BY THE

                             DOVER STREET STUDIOS

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                               A GREEN GARLAND

                                      BY

                                V. B. NEUBURG
                                -------------
                    Green Paper Cover  .  .    2s. 6d. net
                                -------------
   "As far as the verse is concerned there is in this volume something more than mere promise; the performance is at times remarkable; there is beauty not only of thought and invention --- and the invention is of a positive kind --- but also of expression and rhythm.  There is a lilt in Mr Neuburg's poems; he has the impulse to sing, and makes his readers feel that impulse" --- "The Morning Post."
   "There is a certain grim power in some of the imaginings concerning death, as 'The Dream' and 'The Recall,' and any reader with a liking for verse of an unconventional character will find several pieces after his taste." --- "The Daily Telegraph."
   "Here is a poet of promise." --- "The Daily Chronicle."
   "It is not often that energy and poetic feeling are united so happily as in this little book." --- "The Morning Leader."
   "There is promise and some fine lines in these verses." --- "The Times."
                                -------------
                              To be obtained of
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                    44 GREAT RUSSELL STREET, LONDON, W.C.
                             And all Booksellers

NOW READY                                            PRICE ONE SHILLING

HAIL MARY!                     BY ALEISTER
                                                             CROWLEY

   The "Daily Mail" says --- this is a garland of some fifty or sixty devotional hymns to the Virgin, in which the author, while not exceeding the bounds of Catholic orthodoxy, fills his verses with quaint and charming conceits, very much in the style of the 'metaphysical' poets of the seventeenth century.  Indeed, in turning over the pages of 'Amphora,' as the little volume was entitled when published anonymously two years ago, by Burns & Oates, we feel them to be the work of a recipient of the tradition of Vaughan the Silurist, George Herbert, and Crashaw, although Mr. Crowley is smooth where they are rugged, plain where they are perplexing.
   "These poems indicate a mind full of earnest aspiration towards his spiritual Queen, a mind of an engaging naivete, untroubled by the religious and philosophical problems which weary more complex intelligences.  This little work can be cordially recommended to Catholic readers."
   Father Kent writes in "The Tablet" --- "Among the many books which benevolent publishers are preparing as appropriate Christmas presents we notice many new editions of favourite poetic classics.  But few, we fancy, can be more appropriate for the purpose than a little volume of original verses, entitled 'Amphora,' which Messrs. Burns & Oates are on the point of publishing.  The following stanzas from a poem on the Nativity will surely be a better recommendation of the book than any words of critical appreciation:

           "The Virgin lies at Bethlehem.
              (Bring gold and frankincense and myrrh!)
            The root of David shoots a stem.
              (O Holy Spirit, shadow her!)

           "She lies alone amid the kine.
              (Bring gold and frankincense and myrrh!)
            The straw is fragrant as with wine.
              (O Holy Spirit, shadow her!)"

   Lieut.-Col. Gormley writes --- "The hymns ordinarily used in churches for devotional purposes are no doubt excellent in their way, but it can scarcely be said, in the case of many of them, that they are of much literary merit, and some of them indeed are little above the familiar nursery rhymes of our childhood; it is therefore somewhat of a relief and a pleasure to read the volume of hymns to the Virgin Mary which has just been published by Messrs. Burns & Oates.  These hymns to the Virgin Mary are in the best style, they are devotional in the highest degree, and to Roman Catholics, for whom devotion to the Virgin Mary forms so important a part of their religious belief, these poems should indeed be welcome; personally I have found them just what I desired, and I have no doubt other Catholics will be equally pleased with them."
   "Vanity Fair" says --- "To the ordinary mind passion has no relation to penitence, and carnal desire is the very antithesis of spiritual fervour.  But close observers of human nature are accustomed to discover an intimate connection between the forces of the body and the soul; and the student of psychology is continually being reminded of the kinship between saint and sinner.  Now and then we find the extremes of self and selflessness in the same soul.  Dante tells us how the lover kissed the trembling mouth, and with the same thrill describes his own passionate abandonment before the mystic Rose.  In our own day, the greatest of French lyric poets, Verlaine, has given us volumes of the most passionate love songs, and side by side with them a book of religious poetry more sublimely credulous and ecstatic than anything that has come down to us from the Ages of faith.  We are all, as Sainte-Beuve said, 'children of a sensual literature,' and perhaps for that reason we should expect from our singers fervent religious hymns.
   "There is one of London's favourites almost unrivalled to express by her art the delights of the body with a pagan simplicity and directness.  Now she sends us a book, 'Amphora,' a volume of religious verse: it contains song after song in praise of Mary," etc. etc. etc.
   The "Scotsman" says --- "Outside the Latin Church conflicting views are held about the worship of the Virgin, but there can be no doubt that this motive of religion has given birth to many beautiful pieces of literature, and the poets have never tired of singing variations on the theme of 'Hail Mary.' This little book is best described here as a collection of such variations.  They are written with an engaging simplicity and fervour of feeling, and with a graceful, refined literary art that cannot but interest and attract many readers beyond the circles of such as must feel it religiously impossible not to admire them."
   The "Daily Telegraph" says --- "In this slight volume we have the utterances of a devout anonymous Roman Catholic singer, in a number of songs or hymns addressed to the Virgin Mary.  The author, who has evidently a decided gift for sacred verse and has mastered varied metres suitable to her high themes, divides her poems into four series of thirteen each --- thus providing a song for each week of the year.  The songs are all of praise or prayer addressed to the Virgin, and though many have a touch of mysticism, most have a simplicity of expression and earnestness of devotion that will commend them to the author's co-religionists."
   The "Catholic Herald" says --- "This anonymous volume of religious verse reaches a very high level of poetic imagery.  It is a series of hymns in honour of Our Lady, invariably expressed in melodious verse.  The pitfalls of religious verse are bathos and platitude, but these the sincerity of the writer and a certain mastery over poetic expression have enabled him --- or her --- to avoid.  The writer of such verse as the following may be complimented on a very high standard of poetic expression:

             "The shadows fall about the way;
                Strange faces glimmer in the gloom;
              The soul clings feebly to the clay,
                For that, the void; for this, the tomb!

             "But Mary sheds a blessed light;
                Her perfect face dispels the fears.
              She charms Her melancholy knight
                Up to the glad and gracious spheres.

             "O Mary, like a pure perfume
                Do thou receive this falling breath,
              And with Thy starry lamp illume
                The darkling corridors of death!"

   The "Catholic Times" says --- "The 'Amphora' is a collection of poems in honour of our Blessed Lady.  They are arranged in four books, each of which contains thirteen pieces.  Thus with the prologue there are fifty-three poems in all.  Needless to say they breathe a spirit of deep piety and filial love towards our Heavenly Mother.  Many beautiful and touching thoughts are embodied in the various verses, which cannot but do good to the pious soul."
   The "Staffordshire Chronicle" says --- "Under this title there has appeared an anonymous volume of verses breathing the same exotic fragrance of Rossetti's poem on Our Lady that begins 'Mother of the fair delight.'  There is the same intense pre-Raphaelite atmosphere, the same aesthetic revelling in Catholic mysticism, the same rich imagery and gorgeous word-colouring that pervade the poetic works of that nineteenth-century artist.  A valuable addition to the poetic literature on the Mother of our Lord."
   The "Guardian" says --- "The devotional fervour of 'Amphora' will make them acceptable to those who address their worship to the Blessed Mother of the Christ.  The meaning of the title of the book is not very obvious.  It cannot surely have anything to do with the lines in Horace, 'Amphora coepit,'" etc.
   The "Catholic Times" says --- "As far as we can gather from his other works, the author is not a Catholic, perhaps not even, strictly speaking, a Christian; but here we have page after page of most exquisite praise of Her, whom Wordsworth greeted as 'our tainted nature's solitary boast," until one marvels at the fecundity of concept, imagery, and fit expression."



                                  OCCULTISM


To the readers of "The Equinox." --  All who are interested in "curious old"
   Literature should write to FRANK HOLLINGS for his Catalogue of over 1000
   items.  Sent post free on receipt of name and address, and all future
   issues.  A few selected items below.
THE BOOK OF CEREMONIAL MAGIC, including the Rites and Mysteries of Goetic
   Theurgy, Sorcery, and Infernal Necromancy.  In Two Parts.  I.  An
   Analytical and Critical Account of the chief MAGICAL RITUALS extant.  II.
   A complete GRIMOIRE of Black Magic.  By ARTHUR EDWARD WAITE.
      The two chief sections are subdivided as follows: ("a") Studies on the
   Antiquity of Magical Rituals; ("b") The Ritual of Transcendental Magic, so-
   called; ("c") Composite Rituals; ("d") The Rituals of Black Magic; ("e") The
   descending Hierarchy of Spirits; ("f") The Lesser Key of Solomon the King;
   ("g") The Mystery of the "Sanctum Regnum"; ("h") The Rite of "Lucifuge";
   ("i") The Method of Honorius, etc., etc., etc.
      The main objects of the work are: (1) To determine the connection, if
   any, between the literature of CEREMONIAL MAGIC AND THE SECRET TRADITION IN
   CHRISTIAN TIMES; (2) To show the fantastic nature of the distinction
   between White and Black Magic, so far, at least, as the texts are
   concerned.
      The work is issued in crown 4to, and includes about 180 engravings, some
   of which are full-page plates.
      Price 15"s." net.  Post free.  Handsomely bound.
                               "JUST PUBLISHED."
WAITE (A. E.).  The Secret Tradition in Freemasonry, and an Analysis of the
   Inter-Relation between the Craft and the High Degrees, in respect of their
   term of Research, expressed by the way of Symbolism, 2 vols. large 8vo,
   "with" 26 "full-page Portraits, and other illustrations, cloth extra
   t.e.g."            42"s."
      Book I. Fundamental Relations of the Craft and the High Grades.  II.
   Development of the High Grades in respect of the Ancient Alliance.  III. Of
   the New Alliance in Freemasonry.  IV. The Masonic Orders of Chivalry.  V.
   Of Alchemy in Masonry.  VI. Of Magical and Kabalistical Degrees.  VII. Of
   the Mysteries on their Mystical Side, and of this Subject in its relation
   to Masonry.
THE KABBALAH UNVEILED, containing the following Books of the Zohar: (1) The
   Book of Concealed Mystery; (2) The Greater Holy Assembly; (3) The Lesser
   Holy Assembly; translated into English from the Latin Version of Knorr von
   Rosenroth, and collated with the original Chaldee and Hebrew text, by S. L.
   MACGREGOR-MATHERS.  New and cheaper edition, demy 8vo.
      The Bible, which has been probably more misconstrued than any other book
   ever written, contains numberless obscure and mysterious passages which are
   utterly unintelligible without some key wherewith to unlock their meaning.
   "That key is given in the Kabbalah."
ISIS UNVEILED: A Master Key to the Mysteries of Ancient and Modern Science and
   Theology.  By H. P. BLAVATSHY.  In two volumes.  Vol. I. Science, pp. xiv.,
   628.  Vol. II. Theology, pp. iv., 640 and Index 52.
                                                       " Pounds"1, 1"s. net."
      Vol. I. --- Before the Veil --- I. Old Things with New Names --- II.
   Phenomena and Forces --- III. Blind Leaders of the Blind --- IV. Theories
   respecting Psychic Phenomena --- V. The Ether, or "Astral Light" --- VI.
   Psycho-Physical Phenomena --- VII. The Elements, Elementals, and
   Elementaries --- VIII. Some Mysteries of Nature --- IX. Cyclic Phenomena
   --- X. The Inner and Outer Man --- XI. Psychological and Physical Marvels
   -- XII. The "Impassible Chasm" --- XIII. Realities and Illusion --- XIV.
   Egyptian Wisdom --- XV.  India the Cradle of the Race.
      Vol. II. --- I. The Church; Where is it? --- II. Christian Crimes and
   Heathen Virtues --- III. Divisions amongst the Early Christians --- IV.
   Oriental Cosmogonies and Bible-Records --- V. Mysteries of the Kabala ---
   VI. Esoteric Doctrines of Buddhism Parodied in Christianity --- VII. Early
   Christian Heresies and Secret Societies --- VIII. Jesuitry and Masonry ---
   IX. The Vedas and the Bible --- X. The Devil Myth --- XI. Comparative
   Results of Buddhism and Christianity --- XII. Conclusions and
   Illustrations.
TRANSCENDENTAL MAGIC: Its Doctrine and Ritual.  By ELIPHAS LEVI (a complete
   Translation of "Dogme et Rituel de la Haute Magie"), with a Biographical
   Preface by ARTHUR E. WAITE, author of "Devil Worship in France," etc., etc.
   "Portrait of the Author, and all the original engravings."  8vo, 406 pp.,
   "cloth" 1896.  (Pub. 15"s.").  Postage Free.                10"s." 6"d."
      The Pillars of the Temple, Triangle of Solomon, The Tetragram, The
   Pentagram, Magical Equilibrium, The Fiery Sword, Realisation, Initiation,
   The Kabbalah, The Magic Chain, Necromancy, Transmutations, Black Magic,
   Bewitchments, Astrology, Charms and Philtres, The Stone of the
   Philosophers, The Universal Medicine, Divination, The Triangle of
   Pantacles, The Conjuration of the Four, The Blazing Pentagram, Medium and
   Mediator, The Septenary of Talismans, A Warning to the Imprudent, The
   Ceremonial of Initiates, The Key of Occultism, The Sabbath of the
   Sorcerers, Witchcraft and Spells, The Writing of the Stars, Philtres and
   Magnetism, The Mastery of the Sun, The Thaumaturge, The Science of the
   Prophets, The Book of Hermes, etc.
BOOK OF THE SACRED MAGIC (The) OF ABRA-MELIN THE MAGE, as delivered by Abraham
   the Jew unto his Son Lamech, A.D. 1458.  Translated from the Original
   Hebrew into French, and now rendered into English.  From a unique and
   valuable MS. in the "Bibliotheque de l'Arsenal" at Paris; with copious
   Notes and Magical Squares of Letters.  By L. S. MACGREGOR-MATHERS.  4"to,
   black cloth, Magical Square on side in gold."  1900.  (Pub. at 21"s.").,
   Postage free.                                         10"s." 6"p."
      The original work, of which this is a translation, is unique, no other
   copy being known, although both Bulwer Lytton and Eliphas Levi were well
   aware of its existence; the former having based part of his description of
   the sage Rosicrucian une junier {WEH NOTE: "sic", s.b. "Mejnour"} on that
   of Abra-Melin, while the account of the so-called Observatory of Sir Philip
   Derval in the "Strange Story" was, to some extent, copied from that of the
   Magical Oratory and Terrace given in the present work.  There are also
   other interesting points too numerous to be given here in detail.  It is
   felt therefore that by its publication a service is rendered to lovers of
   rare and curious Books, and to Students of Occultism, by placing within
   their reach a magical work of so much importance, and one so interestingly
   associated with the respective authors of "Zanoni" and of the "Dogma and
   Ritual of Transcendental Magic."  The Magical Squares or combinations of
   letters, placed in a certain manner, are said to possess a peculiar species
   of automatic intelligent vitality, apart from any of the methods given for
   their use; and students are recommended to make no use of these whatever
   unless this higher Divine Knowledge is approached in a frame of mind worthy
   of it.
  -------------------------------------------------------------------------
             WANTS SUPPLIED.  NEW PUBLICATIONS SUPPLIED TO ORDER
                  "Out of Print Books sought for and reported"
     Visitors to London who are interested should make a point of calling
                             --------------------
               FRANK HOLLINGS, 7 GREAT TURNSTILE, HOLBORN, W.C.
      Near to Chancery Lane, the Inns of Court, and First Avenue Hotels




                              A. CROWLEY'S WORKS

   The volumes here listed are all of definite occult and mystical interest and importance.

"The Trade may obtain them from"
   "The Equinox," 3 Great James Street, W.C.  Tel.: City 8987; and
    Messrs. Simpklin, Marshall, Hamilton, Kent & Co., 23 Paternoster Row, E.C.

"The Public may obtain them from"

   "The Equinox," 3 Great James Street, W.C.
   Mr. Elkin Matthews, Vigo Street, W.
   The Walter Scott Publishing Co., Paternoster Square, E.C.
   Mr. F. Hollings, Great Turnstile, Holborn.
                  And through all Booksellers.

ACELDAMA.  Crown 8vo, 29 pp., " Pounds"2 2"s." net.
  Of this rare pamplet less than 10 copies remain.  It is Mr. Crowley's earliest and in some ways most striking mystical work.
JEPHTHAH AND OTHER MYSTERIES, LYRICAL AND DRAMATIC.  Demy 8vo, boards, pp. xxii. + 223, 7"s." 6"d." net.
SONGS OF THE SPIRIT. Pp. x. + 109.  A new edition. 3"s." 6"d." net.
  These two volumes breathe the pure semi-conscious aspiration of the soul, and express the first glimmerings of the light.
THE SOUL OF OSIRIS.  Medium 8vo, pp. ix. + 129, 5"s." net.
  A collection of lyrics, illustrating the progress of the soul from corporeal to celestial beatitude.
TANNHAUSER.  Demy 4to, pp. 142, 15"s." net.
  The progress of the soul in dramatic form.
BERASHITH.  4to, china paper, pp. 24, 5"s." net.
  Only a few copies remain.  An illuminating essay on the universe, reconciling the conflicting systems of religion.
THE GOD-EATER.  Crown 4to, pp. 32, 2"s." 6"d." net.
  A striking dramatic study of the origins of religions.
THE SWORD OF SONG.  Post 4to, pp. ix + 194, printed in red and black, decorative wrapper, 20"s." net.
  This is the author's first most brilliant attempt to base the truths of mysticism on the truths of scepticism.  It contains also an enlarged amended edition of "Berashith," and an Essay showing the striking parallels and identities between the doctrines of Modern Science and those of Buddhism.
GARGOYLES.  Pott 8vo, pp. vi. + 113, 5"s." net.
ORACLES.  Demy 8vo, pp. viii. + 176, 5"s." net.
  Some of Mr. Crowley's finest mystical lyrics are in these collections.
KNOX OM PAX.  See advertisement.
Collected Works (Travellers' Edition).  Extra crown 8vo, India paper, 3 vols.
   in one, pp. 808 + Appendices.  Vellum, green ties, with protraits,
   "Pounds"3 3"s."; white buckram, without portraits, " Pounds"2 2"s."
  This edition contains "Qabalistic Dogma," "Time," "The Excluded Middle," "Eleusis," and other matters of the highest occult importance which are not printed elsewhere.
AMBERGRIS.  Medium 8vo, pp. 200, 3"s." 6"d."  (Elkin Mathews.)
  A selection of lyrics, containing some of great mystical beauty.



                                  THE POETRY

                                    REVIEW

                                  For AUGUST

                       contains an exhaustive survey of
                           Modern French Poetry by

                                 F. S. Flint.

   This will be the first of a series of issues dealing from time to time with Contemporary Foreign Poetry.
   The next, appearing in October, will be devoted to American Poetry.  Several articles have been promised by well-known American writers.

Copies may be obtained through booksellers, price "Sixpence net," or direct from the publishers, "Sevenpence, post free."

Annual Subscription, Five Shillings (1$ 22c.) post free

The St. Catherine Press, 34 Norfolk Street, Strand, London.

   "Editorial Offices 93 Chancery Lane."



                                THE WHIRLPOOL

                                      BY
                                 ETHEL ARCHER

              With a Cover specially designed by E. J. WIELAND;
               a Dedicatory Sonnet by VICTOR B. NEUBURG; and an
                      introduction by ALEISTER CROWLEY.

                            PRICE ONE SHILLING NET

   "This is a whirlpool, and no mistake; a witches' cauldron wherein suns and stars and souls, and Lilith and Sappho, and 'whispering hair,' and corpses and poppies, jostle one another in a heaving brew of iridescent, quasi-putrescent, ultra-modernity.  Quite good reading all the same.  Take p. 44: --- .... And we must thank the mysterious V. B. N. for a really inspired line ---
               'Thou lyric laughter of the enfranchised male.'
.... The naughty new 'male' smashing our windows with this inverted commas ...
unless, indeed, as Mr. Aleister Crowley authoritatively hints in his sacerdotal preface, ... But the time, we think, is hardly ripe for such disclosures, although the more intelligent among us may have seen a certain Writing upon the Wall, setting forth, in clearest language, that 1 + 1 = 3." --- "The English Review."

   "Poems by a new writer who possesses imaginative gifts of unusual quality.  Miss Archer's poems are both mystical and realistic, and they bear traces of having been to some extent influenced by the work of Mr. Aleister Crowley, but without losing an originality which is entirely their own." --- "T. P.'s Weekly."

   "This book has all the defects and none of the qualities of Mr. Crowley's work. ... Miss Ethel Archer misses everything.  There is no "elan" in the work.  She has none of the happy fluency of her master, and it requires much to carry off the cumbrous apparatus of esoteric epithets with which she is burdened.  Miss Archer's mechanical abnormalities are ridiculous; she has mistaken jingle for music and incomprehensibility for passion.  ... The world will not willingly let it die." --- "Vanity Fair."

   "On the cover a naked woman is riding a bat over a whirlpool; craggy white mountains are behind her and a red sky behind all.  There is a fine fierceness of movement in the design; it is certainly good.  Mr. Aleister Crowley introduces Miss Archer briefly but splendidly, with phrases of this sort: 'We find such rime-webs as abaaab-babbba ..., more exquisite than all the arabesques of the Alhambra." ... It is all very splendid. ... We feel drearily sensible of our outer darkness.  Coming to Miss Archer's poetry we are obliged to notice her debt to Swinburne, yet we find it, on the whole, good. ... The colour is very strong; the shades of thought are clear, and often subtle. ... The uninitiated may certainly recognise great strength of conviction in Miss Archer, even if they cannot or do not wish to appreciate it." --- "The Poetry Review."

   "Several of these unpleasant phantasies are reprinted from the "Equinox," and there is an introduction by Aleister Crowley, in which he says this book is the hell of sterile passion glowing in the heart of the hell of desolation." --- "Times Literary Supplement."

   "There is a resemblance in much of Miss Archer's verse to the sensuous school of English poetry, and it has the same lyrical power.  Love in its various forms is the theme of her songs, and she expresses her thoughts in vivid words.  The portrayal of the intensity of personal feeling with an unguarded freedom, is that which a student of pre-Raphaelite poetry would naturally acquire.  (Our reviewer's guarded remarks lead us to suppose he means that The Whirlpool' is rather 'hot water.' --- ED.) --- "Publishers' Circular."

   "Moralists with no pretensions to severity will frown at the sentiments conveyed in the poem 'To Lilith. ...' 'Reverie,' 'Midsummer Morn,' and 'Sleep,' are really beautiful poems. ..." --- "Westminster Review."

   "Full, at any rate, of high artistic endeavour is Miss Ethel Archer's 'The Whirlpool.'  There is a strong sense of classical beauty and of form in these passionate and exotic verses.  'The Felon Flower' is an extraordinary rhapsody, and the 'Song to Leila' is delicate and highly wrought." --- "The Commentator."

   "The verse is musical and the ideas profound. ..." --- "Light."






                      MR. NEUBURG'S NEW VOLUME OF POEMS.

                            "Imperial" 16mo, pp. 200

                               ----------------

                 "Now ready.  Order through" The Equinox, "or of
                               any Bookseller."

                             THE TRIUMPH OF PAN.

                         POEMS By VICTOR B. NEUBURG.

   This volume, containing many poems, --- nearly all of them hitherto unpublished --- besides THE TRIUMPH OF PAN, includes THE ROMANCE OF OLIVIA VANE.
   The First Edition is limited to Two Hundred and Fifty copies: Two Hundred and Twenty on ordinary paper, whereof less than Two Hundred are for sale; and thirty on Japanese vellum, of which Twenty-five are for sale.  These latter copies are numbered, and signed by the Author.  The binding is half-parchment with crimson sides; the ordinary copies are bound in crimson boards, half holland.
   The price of ordinary copies is Five Shillings net; of the special copies, One Guinea net.

                      EXTRACTS FROM FIRST NOTICES.

   "Not everyone will care for Mr. Neuburg's tone in all the pieces, but he is undoubtedly a poet to be reckoned with, and a volume so original as this is should create no small stir.  It is superbly produced by the publishers." --- "Sussex Daily News."
   "When one comes to the poems ... it is evident that they are written in English.... In a certain oblique and sub-sensible sense, eloquent and musical....Distinctly Wagnerian in their effects...." --- "Scotsman."
   "It is full of 'the murmurous monotones of whispering lust,' 'the song of young desire,' and that kind of poppycock." --- "London Opinion."
   "A competent master of words and rhythms. ... His esoteric style is unreasonably obscure from an intelligent plain poetry-lover's standpoint." --- "Morning Leader."
   "A charming volume of poems... Pagan glamour ... passion and vigour. ... 'Sigurd's Songs' are commendable for dealing with the all too largely neglected Scandinavian theology. ... A scholarly disciple. ... The entire volume is eminently recommendable." --- "Jewish Chronicle."
   "A gorgeous rhapsody. ... Fortunately, there are the police. ... On the whole, we cannot help regretting that such splendid powers of imagination and expression are flung away in such literary rioting." --- "Light."
   "Sometimes of much beauty of rhythm and phrase. ..." ---"Times."
   "Poets who have any originality deserve to be judged by their own standard. ... A Neo-mystic or semi-astrological pantheist. ..." --- "Liverpool Echo."
   "Love-making appears to have an added halo in his eyes if it is associated with delirium or bloodshed. ... Mr. Neuburg has a 'careless rapture' all his own; the carelessness, indeed, is just the trouble.  His versification is remarkable, and there is something impressive in its mere fluency. ... So luxurious, so rampant, a decadence quickly palls. ... On the whole, this book must be pronounced a quite grievous exhibition of recklessness and folly." --- "Manchester Guardian."
   "...We began to be suspicious of him. ... Hardly the sort of person we should care to meet on a dark night with a knobby stick in his hand. ... This clever book." --- "Academy."
   "A vivid imagination fostered by a keen and loving insight of nature, and this allied to a command of richly adorned language ... have already assured for the author a prominent place amongst present-day poets. ... An enthusiastic devotion to classic song ... sustained metrical charm.  From first to last the poet's work is an important contribution to the century's literature." --- "Publishers' Circular."
   "This [book] contains the answer to a very well-known riddle propounded by the late Elizabeth Barrett Browning.  You remember she asked in one of her poems, 'What was he doing to Great God Pan: Down in the reeds by the River?' Well, Mr. Victor Neuburg has discovered the answer, for he was obviously wandering near the river if he was not hidden in the reeds. ..." --- "ROBERT ROSS in "The Bystander."
   "There is no question about the poetic quality of much of Mr. Neuburg's verse. ... We are given visions of love which open new amorous possibilities." --- "Daily Chronicle."
   "Sheer ennui is apt to say 'morbid,' and have done with it. ... But here is Mr. Neuburg, with real literary and temperamental gifts ... but it is not honest to deny that he is actually straying here and there upon the borders of a definite region of consciousness; that the evil and power he acclaims and fears have a phantom existence. ..." --- "Westminster Gazette."


              EXTRACTS FROM PRESS NOTICES --- "Continued"

   "A volume of no ordinary ability ... real beauty." --- "Advocate of India."
   "... His poems are a mystery beyond the comprehension of the uninitiate. But we can appreciate the beauty of their sound, and envy those lovers in distant countries who will apparently enjoy the meaning. ..." ---"English Review."
   "By a big Pot, no doubt." --- "John Bull."
   "'The Triumph of Pan' contains poems alive with music and rich in thought. Mr. Neubrug writes with distinction, and the book, from first to last, is one which lovers of poetry will appreciate." --- "Standard."
   "... full of the throbbing fever of life which one cannot confine into measure on all occasions.
   "'The Triumph of Pan' is full of sonorous lines, with wonderful word pictures and poetic imagery which has seldom been excelled. ..." --- "American Register."
   "... Many beautiful passages in the volume ... strange allusions to unpleasant gods, and the imagery is occasionally repellent.
   "The tremendous conception of that 'world so wide' ... at his best in some of the shorter poems ... stirring rhythm.
   ... we linger with delight over the splendid line ---
             "'The murmurous song of the morning star, aflame o'er the birth of day.'
   "... Melodious and plaintive with a haunting rhythm ... vivid and pictorial ... a painter's vision as well as a poet's ear ... a fine simile in 'Osiris' is all his own." --- "Co-Mason."
   "... a delirious music ... the majority of them [the poems] trouble the reader by giving the impression that a deep meaning lies behind the embroidered veil of words to which he is unable to penetrate; others again seem to suggest events of too intimate and personal a nature to have a general application or interest ...  mixed metaphors --- erratic visualisation. ..." --- "Theosophy in Scotland."
   "Passion and pain, 'red desire' and 'red roses' are frequent "motifs" in Mr. V. B. Neuburg's 'Triumph of Pan' ('The Equinox' Office), much of which merits the ambiguous distinction of being unusual.  Though by no means deficient in originality, vigour or imaginative power, his verse is too often cumbered with the fantastic symbols of a species of erotic mysticism, into which we feel no desire to probe; while the lack of reticence consistently displayed constitutes an artistic blemish not lightly to be excused.  The author's serene confidence in the immortality of his lays would be better justified were he to make some attempt to discriminate between the gold and the rubbish, and, incidentally, refraining from penning such grotesqueness as is contained, for example, in 'The Sunflower,' where we are informed how, among other portents ---
                                         "'a greater god arose,
                 And stole the earth by standing on his toes
                 And blowing through the air.'
   "It is difficult to believe that the persons to whom certain poems are inscribed will experience any very lively gratification at the compliment." --- "Athenaeum."
   "... really notable fluency and fecundity of expression. ... He gives us little of that boring stuff that is usually termed 'strong meat.' ... his dedicatory poem is the one that fascinates me most.  It is a tender little lyric, delicate, iridescent, fragrant as a summer dawn.  I take the liberty of quoting it in full. ..." --- "New Age."
   "Fie, Mr. Neuburg! ... a most regrettable collection of songs that deal with unrestrained affection. ... There's no denying they are first-rate verse." --- PERCY FLAGE in "The Equinox."
   "... We are dizzied and dazzled by a foaming rainbow-hued torrent of impassioned words.  We are struck by the wealth and boldness of the imagery, and the facility of mechanical execution. ... It is brilliant work ... one is bound to admire the cleverness of it all." --- "Literary Guide."
   "... In the author of the present collection of poems ... we have a veritable twentieth-century mystic and apostle of ecstasy who, according to his dedication, gives his songs ---
                  "'By the sign that is black and forbidden,
                     By the word that is uttered no more.'
   "'The Triumph of Pan,' from which the book borrows its title, is a remarkable sequence of some forty 'philosophic and ecstatic' stanzas ... he would also seem to 'hold opinion with Pythagoras' although we question if even Nietzsche himself could quite fathom the undercurrent of the lay. ... Despite occasional extravagances in thought and in diction his work is that of a cultured scholar, his verbal artistry undeniably inspired with the true spirit of poetry.  Whether he sings of 'Violet skies all rimmed in tune,' of red ravens, of purple kisses, of silver stars 'crested with amber melody,' or of the 'rhythmic sway of the idle moon,' he is always musical albeit, like Wagner, whose effects he now and then distinctly recalls, often utterly unintelligible. ... In striking contrast to the chaste and serenely beautiful 'Diana Rides; ... are no less that twenty-two audaciously passionate love-lyrics inscribed not only to one Olivia Vane, but also, curiously enough to her 'other' lover." --- "The Gambolier."
   "He has arrived. ...
   "Mr. Neuburg's work is partly mystical and partly of the flesh. ... Quite frankly, some of his work we do not at all understand.  This applies notably to his 'Music-Pictures,' which 'were obtained under the direct influence of music.'  'This,' the poet naively tells us, 'may explain their apparent inconsequence.' ... he is much more than a minor poet.  He can and will yet accomplish great work. ... His ingenious rhyming capacity sometimes almost startles one.  In the choice of some of this subjects he is daring --- greatly daring. ... His genius is undoubted; and the world has a lot yet to hear of and from this gifted singer." --- "Greater London Illustrated."
   "If he rejects this mask, Mr. Neuburg may become a poet." --- "Rhythm."





                       The Star in the West

                               BY

                     CAPTAIN J. F. C. FULLER

            "FOURTH LARGE EDITION NOW IN PREPARATION"

             THROUGH THE EQUINOX AND ALL BOOKSELLERS


              =====================================

              A highly original study of morals and
              religion by a new writer, who is as
              entertaining as the average novelist is
              dull.  Nowadays human thought has
              taken a brighter place in the creation:
              our emotions are weary of bad baronets
              and stolen wills; they are now only
              excited by spiritual crises, catastrophes of
              the reason, triumphs of the intelligence.
              In these fields Captain Fuller is a master
              dramatist.

              =====================================



                                 KONX OM PAX

          THE MOST REMARKABLE TREATISE ON THE MYSTIC PATH EVER WRITTEN

Contains an Introduction and Four Essays; the first an account of the progress of the soul to perfect illumination, under the guise of a charming fairy tale;
   The second, an Essay on Truth, under the guise of a Christmas pantomime;
   The third, an Essay on Magical Ethics, under the guise of the story of a Chinese philosopher;
   The fourth, a Treatise on many Magical Subjects of the profoundest importance, under the guise of a symposium, interspersed with beautiful lyrics.
   No serious student can afford to be without this delightful volume.  The second edition is printed on hand-made paper, and bound in white buckram, with cover-design in gold.
                       PRICE TEN SHILLINGS
    WALTER SCOTT PUBLISHING CO. LTD., and through "THE EQUINOX"
                         --------------
                             Some Press Opinions

Dr. M. D. EDER in "The New Age"
   "Yours also is the Reincarnation and the Life, O laughing lion that is to be!
   "Here you have distilled for our delight the inner spirit of the Tulip's form, the sweet secret mystery of the Rose's perfume: you have set them free from all that is material whilst preserving all that is sensual.  'So also the old mystics were right who saw in every phenomenon a dog-faced demon apt only to seduce the soul from the sacred mystery.'  Yes, but the phenomenon shall it not be as another sacred mystery; the force of attraction still to be interpreted in terms of God and the Psyche?  We shall reward you by befoulment, by cant, by misunderstanding, and by understanding.  This to you who wear the Phrygian cap, not as symbol of Liberty, O ribald ones, but of sacrifice and victory, of Inmost Enlightenment, of the soul's deliverance from the fetters of the very soul itself --- fear not; you are not 'replacing truth of thought by mere expertness of mechanical skill.'
   "You who hold more skill and more power than your great English predecessor, Robertus de Fluctibus, you have not feared to reveal 'the Arcana which are in the Adytum of God-nourished Silence' to those who, abandoning nothing, will sail in the company of the Brethren of the Rosy Cross towards the Limbus, that outer, unknown world encircling so many a universe."

"John Bull," in the course of a long review by Mr. HERBERT VIVIAN
   "The author is evidently that rare combination of genius, a humorist and a philosopher.  For pages he will bewilder the mind with abstruse esoteric pronouncements, and then, all of a sudden, he will reduce his readers to hysterics with some surprisingly quaint conceit.  I was unlucky to begin reading him at breakfast and I was moved to so much laughter that I watered my bread with my tears and barely escaped a convulsion."

"The Times"
   "The Light wherein he writes is the L.V.X., of that which, first mastering and then transcending the reason, illumines all the darkness caused by the interference of the opposite waves of thought. ... It is one of the most suggestive definitions of KONX --- the LVX of the Brethren of the Rosy Cross --- that it transcends all the possible pairs of opposites.  Nor does this sound nonsensical to those who are acquainted with that LVX.  But to those who do not it must remain as obscure and ridiculous as spherical trigonometry to the inhabitants of Flatland."

"The Literary Guide"
   "He is a lofty idealist.  He sings like a lark at the gates of heaven. 'Konx Om Pax' is the apotheosis of extravagance, the last word in eccentricity.  A prettily told fairy-story 'for babes and sucklings' has 'explanatory notes in Hebrew and Latin for the wise and prudent' --- which notes, as far as we can see, explain nothing --- together with a weird preface in scraps of twelve or fifteen languages.  The best poetry in the book is contained in the last section --- 'The Stone of the Philosophers.'  Here is some fine work."





                               Household  Gods
                                   A COMEDY
                             By ALEISTER CROWLEY
                   Privately Printed by the Chiswick Press
                and bound in White Buckram with Gold Lettering

                               ----------------
                             PRICE HALF A GUINEA
                               ----------------

             Copies may be obtained on application to the Author
                       at the offices of "The Equinox"

    ---------------------------------------------------------------------


                    Thirty copies of the Sketch of
                    ALEISTER CROWLEY by AUGUS-
                    TUS JOHN have been pulled on
                    Special Paper, and are for sale,
                    framed, at the Price of One Guinea
                    Net.  Application should be made
                    at once to the Offices of this
                                 Magazine



                              "To be obtained of"
                     THE EQUINOX, 3 Great James St., W.C.
                                TELEPHONE 8987
                           =======================

                     "Crown 8vo, Scarlet Buckram, pp. 64."

                                PRICE 10s. net

      Less than 100 copies remain.  The price will shortly be raised to
                               one guinea net.

                       A ∴ A ∴ PUBLICATION IN CLASS B.
                           =======================
                                     BOOK
                                     777

THIS book contains in concise tabulated form a comparative view of all the symbols of the great religions of the world; the perfect attributions of the Taro, so long kept secret by the Rosicrucians, are now for the first time published; also the complete secret magical correspondence of the G.'. D.'. and R. R. et A. C.  It forms, in short, a complete magical and philosophical dictionary; a key to all religions and to all practical occult working.
    For the first time Western and Qabalistic symbols have been harmonized with those of Hinduism, Buddhism, Mohammedanism, Taoism, etc.  By a glance at Tables, anybody conversant with any one system can understand perfectly all others.
The "Occult Review" says:
   "Despite its cumbrous sub-title and high price per page, this work has only to come under the notice of the right people to be sure of a ready sale.  In its author's words, it represents 'an attempt to systematise alike the data of mysticism and the results of comparative religion,' and so far as any book can succeed in such an attempt, this book does succeed; that is to say, it condenses in some sixty pages as much information as many an intelligent reader at the Museum has been able to collect in years.  The book proper consists of a Table of 'Correspondences,' and is, in fact, an attempt to reduce to a common denominator the symbolism of as many religious and magical systems as the author is acquainted with.  The denominator chosen is necessarily a large one, as the author's object is to reconcile systems which divide all things into 3, 7, 10, 12, as the case may be.  Since our expression 'common denominator' is used in a figurative and not in a strictly mathematical sense, the task is less complex than appears at first sight, and the 32 Paths of the Sepher Yetzirah, or Book of Formation of the Qabalah, provide a convenient scale.  These 32 Paths are attributed by the Qabalists to the 10 Sephiroth, or Emanations of Deity, and to the 22 letters of the Hebrew alphabet, which are again subdivided into 3 mother letters, 7 double letters, and 12 simple letters.  On this basis, that of the Qabalistic 'Tree of Life,' as a certain arrangement of the Sephiroth and 22 remaining Paths connecting them is termed, the author has constructed no less than 183 tables.
   "The Qabalistic information is very full, and there are tables of Egyptian and Hindu deities, as well as of colours, perfumes, plants, stones, and animals.  The information concerning the tarot and geomancy exceeds that to be found in some treatises devoted exclusively to those subjects.  The author appears to be acquainted with Chinese, Arabic, and other classic texts.  Here your reviewer is unable to follow him, but his Hebrew does credit alike to him and to his printer.  Among several hundred words, mostly proper names, we found and marked a few misprints, but subsequently discovered each one of them in a printed table of errata, which we had overlooked.  When one remembers the misprints in 'Agrippa' and the fact that the ordinary Hebrew compositor and reader is no more fitted for this task than a boy cognisant of no more than the shapes of the Hebrew letters, one wonders how many proofs there were and what the printer's bill was.  A knowledge of the Hebrew alphabet and the Qabalistic Tree of Life is all that is needed to lay open to the reader the enormous mass of information contained in this book.  The 'Alphabet of Mysticism,' as the author says --- several alphabets we should prefer to say --- is here.  Much that has been jealously and foolishly kept secret in the past is here, but though our author has secured for his work the "imprimatur" of some body with the mysterious title of the A.'.A.'., and though he remains himself anonymous, he appears to be no mystery-monger.  Obviously he is widely read, but he makes no pretence that he has secrets to reveal.  On the contrary, he says, 'an indicible arcanum is an arcanum which "cannot" be revealed.'  The writer of that sentence has learned at least one fact not to be learned from books.
                                                       "G.C.J."



                               WILLIAM NORTHAM,
                                "ROBEMAKER,"
                9 Henrietta Street, Southampton Street, Strand
TELEPHONE -- 5400 Central
                            =======================

MR. NORTHAM begs to announce that he has been entrusted with the manufacture of all robes and other ceremonial apparel of members of the A ∴ A ∴ and its adepts and aspirants.

        No. 0.  PROBATIONER'S ROBE       .     .    .    .    Pounds5 0 0
            1.       "         "       superior quality  .    .     7 0 0
            2. NEOPHYTE'S     .    .     .     .    .    .    .     6 0 0
            3. ZELATOR           Symbol added to No. 2   .    .     1 0 0
            4. PRACTICUS           "      "          3   .    .     1 0 0
            5. PHILOSOPHUS         "      "          4   .    .     1 0 0
            6. DOMINUS LIMINIS     "      "          5   .    .     1 0 0
            7. ADEPTUS (without)   "      "       0 or 1 .    .     3 0 0
            8.    "    (Within)    .     .     .    .    .    .    10 0 0
            9. ADEPTUS MAJOR       .     .     .    .    .    .    10 0 0
           10. ADEPTUS EXEMPTUS    .     .     .    .    .    .    10 0 0
           11. MAGISTER TEMPLI     .     .     .    .    .    .    50 0 0

   The Probationer's robe is fitted for performance of all general Invocations and especially for the I. of the H. G. A.; a white and gold nemmes may be worn.  These robes may also be worn by Assistant Magi in all composite rituals of the White.
   The Neophyte's robe is fitted for all elemental operations.  A black and gold nemmes may be worn.  Assistant Magi may wear these in all composite rituals of the Black.
   The Zelator's robe is fitted for all rituals involving I O, and for the infernal rites of Luna.  In the former case an Uraeus crown and purple nemmes, in the latter a silver nemmes, should be worn.
   The Practicus' robe is fitted for all rituals involving I I, and for the rites of Mercury.  In the former case an Uraeus crown and green nemmes, in the latter a nemyss of shot silk, should be worn.
   The Philosophus' robe is fitted for all rituals involving O O, and for the rites of Venus.  In the former case an Uraeus crown and azure nemmes, in the latter a green nemmes, should be worn.
   The Dominus Liminis' robe is fitted for the infernal rites of Sol, which must never be celebrated.
   The Adeptus Minor's robe is fitted for the rituals of Sol.  A golden nemmes may be worn.
   The Adeptus' robe is fitted for the particular workings of the Adeptus, and for the Postulant at the First Gate of the City of the Pyramids.
   The Adeptus Major's Robe is fitted for the Chief Magus in all Rituals and Evocations of the Inferiors, for the performance of the rites of Mars, and for the Postulant at the Second Gate of the City of the Pyramids.
   The Adeptus Exemptus' robe is fitted for the Chief Magus in all Rituals and Invocations of the Superiors, for the performance of the rites of Jupiter, and for the Postulant at the Third Gate of the City of the Pyramids.
   The Babe of the Abyss has no robe.
   For the performance of the rites of Saturn, the Magician may wear a black robe, close-cut, with narrow sleeves, trimmed with white, and the Seal and Square of Saturn marked on breast and back.  A conical black cap embroidered with the Sigils of Saturn should be worn.
   The Magister Templi Robe is fitted for the great Meditations, for the supernal rites of Luna, and for those rites of Babylon and the Graal.  But this robe should be worn by no man, because of that which is written: "Ecclesia abhorret a sanguine."
                            ----------------------
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LIBER CCCXXXIII                                           "NOW READY"

                               THE BOOK OF LIES
                         WHICH IS ALSO FALSELY CALLED
                                    BREAKS
            THE WANDERINGS OR FALSIFICATIONS OF THE ONE THOUGHT OF
                               FRATER PERDURABO

                        WHICH THOUGHT IS ITSELF UNTRUE

                         "Break, break, break
                            At the foot of thy stones, O Sea!
                          And I would that I could utter
                            The thoughts that arise in me!"
                                   CONTENTS

o   o                                   :
  o                                     : 49. WARATAH-BLOSSOM
  1. The Sabbath of the Goat            : 50. The Vigil of St. Hubert
  2. The Cry of the Hawk                : 51. Terrier Work
  3. The Oyster                         : 52. The Bull-Baiting
  4. Peaches                            : 53. The Dowser
  5. The Battle of the Ants             : 54. Eaves-Droppings
  6. Caviar                             : 55. The Drooping Sunflower
  7. The Dinosaurs                      : 56. Trouble with Twins
  8. Steeped Horsehair                  : 57. The Duck-Billed Platypus
  9. The Branks                         : 58. Haggai-Howlings
 10. Windlestraws                       : 59. The Tailless Monkey
 11. The Glow-Worm                      : 60. The Wound of Amfortas
 12. The Dragon-Flies                   : 61. The Fool's Knot
 13. Pilgrim-Talk                       : 62. Twig?
 14. Onion-peelings                     : 63. Margery Daw
 15. The Gun-Barrel                     : 64. Constancy
 16. The Stag-Beetle                    : 65. Sic Transeat ---
 17. The Swan                           : 66. The Praying Mantis
 18. Dewdrops                           : 67. Sodom-Apples
 19. The Leopard and the Deer           : 68. Manna
 20. Samson                             : 69. The Way to Succeed --- and the
 21. The Blind Webster                  :       Way to Suck Eggs!
 22. The Despot                         : 70. Broomstick-Babblings
 23. Skidoo!                            : 71. King's College Chapel
 24. The Hawk and the Blindworm         : 72. Hashed Pheasant
 25. THE STAR RUBY                      : 73. The Devil, the Ostrich, and the
                                        :        Orphan Child
 26. The Elephant and the Tortoise      : 74. Carey Street
 27. The Sorcerer                       : 75. Plover's Eggs
 28. The Pole-Star                      : 76. Phaeton
 29. The Southern Cross                 : 77. THE SUBLIME AND SUPREME SEP-
 30. John-a-Dreams                      :       TENARY IN ITS MATURE MAGICAL
 31. The Garotte                        :       MANIFESTATION  THROUGH
 32. The Mountaineer                    :       MATTER: AS IT IS WRITTEN: AN
 33. BAPHOMET                           :       HE-GOAT ALSO
 34. The Smoking Dog                    : 78. Wheel and --- Woa!
 35. Venus of Milo                      : 79. The Bal Bullier
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                                  MORTADELLO

                                      OR

                              THE ANGEL OF VENICE

                             A PLAY IN FIVE ACTS



                                      BY

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{Illustration to this page described:

The top 1/5th of this page has a black and white rendering of the Khephra scarab beetle.  It shows a scarab beetle holding a sun disk between its hind legs at top and a smaller moon disk between its front legs at the bottom.  The body of the scarab is upside-down, even though the legs are as described.  Horizontally to left and right are two wings, very stylized, with primaries, secondaries and coverlet feathers depicted.}



                              THE WINGED BEETLE

                             By ALEISTER CROWLEY

              PRIVATELY PRINTED: TO BE HAD THROUGH "THE EQUINOX"

                             300 copies, 10"s." net

           50 copies on handmade paper, specially bound, " Pounds"1 1"s." net

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                                   CONTENTS

ROSA Coeli --- Abjad-i-al'ain --- The Hermit --- The Wizard Way --- The Wings --- The Garden of Janus --- The Two Secrets --- The Priestess of Panormita --- The Hawk and the Babe --- The Duellists --- Athor and Asar --- After Judgment --- The Five Adorations -- Telepathy --- The Swimmer --- The Muse --- The God and the Girl --- Rosemary --- Au Bal --- Disappointment --- The Octopus --- The Eyes of Dorothy --- Bathyllus --- The Mantra-Yogi --- The Poet and his Muse --- Lilith --- Sport and Marriage --- The Twins --- The Convert --- The Sorceress --- The Child --- Clytie --- A Slim Gilt Soul --- The Silence of Columbine --- The Archaeologist --- The Ladder --- Belladonna --- The Poet at Bay --- Ut --- Rosa Decidua --- The Circle and the Point --- In Memoriam --- Ad Fidelem Infidelem --- The Sphinx --- The Jew of Fez --- The Pentagram --- Song --- An Hymn --- Prologue to Rodin in Rime --- The Camp Fire --- Ave Adonai --- The Wild Ass --- The Opium-Smoker --- In Manu Dominae.
   Mr. Todd: a Morality.
   TRANSLATIONS: L'Amour et le Crane --- L'Alchimie de Douleur --- Le Vampire --- Le Balcon --- Le Gout de L'Infini --- L'Heautontimoroumenos --- Le vin de L'Assassin --- Woman --- Tout Entiere --- Le vin des Amants --- Le Revenant --- Lola de Valence --- Le Beau Navire --- L'Invitation au Voyage --- Epilogue to "Petits Poems en Prose" --- Colloque Sentimental --- En Sourdine --- The Magician.



{WEH NOTE: On the back cover in black on yellow.   Includes text graphics as noted}


                               PART I NOW READY

BOOK {large block letters, extending 3/5 across the page from left}

4 {very large, extending over 3/5 of the vertical page, with top of numeral just above "BOOK" and to the right.  To the right of the riser in Greek Caps. and numerals vertically down until reaching the horizontal bar: " GR:Tau  GR:Delta  GR:Mu 4 4 4".  Below the horizontal bar to the left until reaching the vertical drop, in two horizontal lines: "BY:FRATER:PERDURABO:" "AND:SOROR:VIRAKAM::" In the rectangular space defined by rightmost tip of horizontal above and lowest tip of vertical to the left. "AB" centered above "A"}

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